In the third book of her captivating series, Erdrich continues the story of Omakayas, a young Ojibwe girl living in the mid 1800s. Omakayas and her family are now on the move as white settlers force them further into the West. Illustrations.
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Starred Review. Gr 5 8 This sequel to The Birchbark House (Hyperion, 1999) and The Game of Silence (HarperCollins, 2005) continues the story of Omakayas, an Ojibwe girl who in 1852 is now 12 winters old. She and her family have been displaced by the United States government and are looking for a new place to live. When Omakayas and her younger brother become separated from their family during a night hunting expedition, Pinch has a run-in with a porcupine that he decides to keep as his medicine animal. The little gaag does indeed seem to bring them good fortune for a time, and Pinch is thereafter known as Quill. As Omakayas's extended family travels north toward Lac du Bois, where Mama's sister has settled, Erdrich's resonant descriptions of their day-to-day experiences give the narrative a graceful flow. The peaceful rhythms are all too quickly broken, however, when a party of Bwaanag captures two of their men. Soon after, Auntie Muskrat's no-good husband, Albert LaPautre, leads a raid on the small group, making off with all of their provisions, leaving them destitute as the winter months approach. The family finally reaches the big lake, and as they learn to find their places in the larger group, Omakayas must come to terms with her transition to womanhood. The events in this installment will both delight and appall readers. While the novel can stand alone, it will call new readers to catch up on the first two installments. Erdrich's charming pencil drawings interspersed throughout and her glossary of Ojibwe terms round out a beautiful offering. Kim Dare, Fairfax County Public Schools, VA Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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*Starred Review* The struggle to survive provides the exciting action in this sequel to The Birchbark House (1999) and The Game of Silence (2005), which takes place in 1852. But the gripping story is also about pain, joy, sacrifice, and surprise. Omakayas, now 12, feels the anguish of displacement as her family, driven from its beloved Madeline Island by white settlers, endures violent raids in the freezing winter and comes close to starvation in its search for a home. Erdrich shows Omakaya's love for her mischievous little brother, as well as her barely controlled jealousy of her sister. Always there is her bond with tough elderly Old Tallow, who rescued Omakayas as a baby and has loved her ever since. The question now is whether Old Tallow will survive, and for the first time, Omakayas hears her mentor's childhood story-including the shocking brutality she endured, which helped make her so strong and nurturing. As in the previous books, Erdrich weaves in Ojibwa culture and language, defining the terms in an appended glossary, and she includes her own black-and-white sketches, which express her affection for small daily things. Based on Erdrich's own family history, this celebration of life will move readers with its mischief, its anger, and its sadness. What is left unspoken is as powerful as the story told. Rochman, Hazel.
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